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2013
Krzyżaniak D. 2013. “In-yer-face theatre in the Irish context: Martin McDonagh's {The Cripple of Inishmaan} and Enda Walsh's {Bedbound}.” In: Wolny, Ryszard W.; Wąsik, Zdzisław (eds.)  Faces and Masks of Ugliness in Literary Narratives. Peter Lang: Frankfurt am Main, 85-94.
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Krzyżaniak D. 2013. “The nature of contemporary catharsis in Marina Carr's {By the Bog of Cats…}.” In: Kazik, Joanna; Mirowska, Paulina (eds.)  Reading Subversion and Transgression (Studies in English Drama and Poetry Vol.3). Łódź: Wydawnictwo Uniwersytetu Łódzkiego, 127-136.
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2011
Sikorska L, Jarząb J, Krzyżaniak D. (eds.) 2011. An Outline History of Irish Literature In Texts. Poznań: Wydawnictwo Poznańskie. Pp. 1070.
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Krzyżaniak D. 2011. “The Power of laughter. Irish (dark) comedy and its psychotherapeutic properties.” In: Goszczyńska, M.; Poloczek, K. (eds.)  The Playful Air of Light(ness) in Irish Literature and Culture. Newcastle upon Tyne: Cambridge Scholars Publishing, 165-176.
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2009
Krzyżaniak D. 2009. “Dealing with the war trauma. (Dramatic) ways of healing the psychological wounds in Frank McGuinness' {Observe the Sons of Ulster Marching Towards the Somme}.” In: Fabiszak, J.; Klepuszewski, W. (eds.)  Discourses and representations of war in British literature and culture. Koszalin: Wydawnictwo Uczelniane Politechniki Koszalińskiej, 43-52.
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2008
Krzyżaniak D. 2008. “Medieval dramatic tradition revisited in Peter Barnes' {Red noses}.” In: Sikorska, Liliana (ed.)  Medievalisms. The poetics of literary re-reading. Frankfurt am Main: Peter Lang, 103-112.
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2006
Krzyżaniak D. 2006. “If a house is on fire and I cry fire’. How do contemporary women playwrights (Caryl Churchill and Sarah Kane) sensitize their audiences by abusing them.” In: Fisiak, J. (ed.)  English language, literature and culture. Selected papers from the 13th PASE conference. Poznań 2004. Poznań: Adam Mickiewicz University, 143-154.
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2005
Krzyżaniak D. 2005. “A disturbed family in a troubled country. A sociolonguistic insight into the domestic/national crises in the works of two Irish playwrights: Sean O’Casey and Martin McDonagh.” In: Sikorska, L. (ed.)  Ironies of art/tragedies of life. Essays on Irish literature. Frankfurt am Main: Peter Lang, 195-212.
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Krzyżaniak D. 2005. From heresy to sainthood. Joan of Arc's quest for identity in Bernard Shaw's {Saint Joan}. Studia Anglica Posnaniensia 41: 289-298.
URL: http://ifa.amu.edu.pl/sap/files/41/20Krzyzaniak.pdf
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2004
Krzyżaniak D. 2004. “Aspects of classical tragedy in Edward Bond's {The woman}.” In: Sikorska, L. (ed.)  Aspects of suffering: Classical themes in English literature. Frankfurt am Main - New York: Peter Lang, 199-214.
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2003
Krzyżaniak D. 2003. A sociolinguistic reading of Pinter's {The dumb waiter}. Kwartalnik Neofilologiczny 49: 375-382.
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Krzyżaniak D. 2003. “Sociolinguistics and the reading of contemporary plays.” In:   PASE papers in literature and culture. Proceedings of the 9th Annual Conference of the Polish Society for the Study of English. Gdańsk: Wydawnictwo Uniwersytetu Gdańskiego, 199-204.
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2000
Krzyżaniak D. 2000. “Przemoc słowna w {The birthday party} Harolda Pintera.” In: Borkowska, G.; Sikorska, L. (eds.)  Krytyka feministyczna: siostra teorii i historii literatury. Warszawa: Wydawnictwo IBL, 55-67.
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In Press
Krzyżaniak D. “The nature of contemporary catharsis in Marina Carr's By the Bog of Cats.” In: Kazik, J. (ed.)  Studies in English Drama and Poetry. Łódź: Wydawnictwo Uniwersytetu Łódzkiego, PAGES.
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