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2013
Fabiszak_Jacek. 2013. Conflict and rhetoric. On the structuring of roles in conflict in Shakespeare’s (non-)dramatic poetry.” In: Cetera, Anna (ed.)  Szekspiromania. Księga dedykowana pamięci Andrzeja Żurowskiego. Warszawa: Wydawnictwa Uniwersytetu Warszawskiego, 262-273.
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Fabiszak_Jacek. 2013. Caliban, the salvage and deformed slave: On representations of ugliness in film versions of Shakespeare's The Tempest.” In: Wolny, Ryszard W.; Wąsik, Zdzisław (eds.)  Faces and Masks of Ugliness in Literary Narratives. Frankfurt am Main: Peter Lang, 65-83.
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Fabiszak_Jacek, Urbaniak-Rybicka E, Wolski B. (eds.) 2013. Crossroads in Literature and Culture. Heidelberg – New York – Dordrecht – London: Springer. Pp. 530.
URL: http://dx.doi.org/10.1007/978-3-642-21994-8
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Fabiszak_Jacek. 2013. Sex-speare vs. Shakes-peare: On Nudity and Sexuality in Some Screen and Stage Versions of Shakespeare’s Plays. Text Matters. A Journal of Literature Theory and Culture 3: 203-218.
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Fabiszak_Jacek. 2013. Stage Shakespeare Goes (on) Screen: Cinematic Framing of Grzegorz Jarzyna’s 2007: Macbeth and Telegenic Rendering of Krzysztof Warlikowski’s The Tempest.” In: Pancheva, Evgenia; Stamenov, Christo; Pipeva, Maria; Niagolov, Georgi (eds.)  Peregrinations of the Text: Reading, Translation, Rewriting. Essays in Honour of Alexander Shurbanov. Sofia: Sofia University Press, 59-67.
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2014
Fabiszak_Jacek. 2014. Hamlet/Hamlet in the Post-context of the Solidarity Revolution. Global Shakespeare Journal 1(1): 44-53.
URL: http://www.gsjournal.org/ArticleUpload/3.pdf
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2015
Fabiszak_Jacek. 2015. Kenneth Branagh’s multicultural and multi-ethnic Shakespeare(s). Multicultural Shakespeare 12(27): 75-86.
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Fabiszak_Jacek. 2015. O adaptácii jednej adaptácie: Prípad televíznej verzie hry Predstavenie Hamleta v obci Dolná Mrduša.” In: Bžochova-Wild, Jana (ed.)  Zrkadlá (pre) doby. Shakespeare v divadle strednej Európy. Bratislava: Vysoká škola múzických umení Bratislava, 48-57.
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Fabiszak_Jacek, Burzyńska K. 2015. Shakespeare productions which never came to be : the case of Świnarski’s Hamlet (1975) and Korin’s King Lear (1992). Shakespeare en devenir - Les Cahiers de La Licorne 9: brak.
URL: http://shakespeare.edel.univ-poitiers.fr/index.php?id=805
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Jóźwiak M, Po-Jung Chen B, Musielak B, Fabiszak_Jacek, Grzegorzewski r. 2015. Social attitudes toward cerebral palsy and potential uses in medical education based on the analysis of motion pictures. Behavioural Neurology 2015: 1-8.
URL: http://dx.doi.org/10.1155/2015/341023
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Fabiszak_Jacek. 2015. Stanisław Barańczak: barok a sprawa polska.” In: Kujawska-Lis, Ewa (ed.)  To życie jest tylko cieniem przelotnym… Pamięci Stanisława Barańczaka. Olsztyn: Wydawnictwo Uniwersytetu Warmińsko-Mazurskiego, 13-22.
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Fabiszak_Jacek. 2015. ‘So cursed and shrewd' a play. Review of: The Taming of the Shrew [Poskromienie złośnicy]. Dir. Katarzyna Deszcz. Stefan Żeromski Theatre, Kielce. Multicultural Shakespeare 12(27): 160-165.
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2016
Fabiszak_Jacek. 2016. Andrzej Wajda’s two Hamlets and one Macbeth: The director’s struggle with Shakespearean tragedy in the changing contexts of Polish history. Anglica. An International Journal of English Studies 25(3): 97-106.
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Fabiszak_Jacek. 2016. Study/Cell Drama? On Images of Scholars and Scholarship in the Drama by Shakespeare and His Contemporaries.” In: Gruszecka-Blaim, Ludmiła; Moseley, Merritt  Academia in Fact and Fiction. Frankfurt am Main: Peter Lang, 173-192.
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