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Fabiszak_Jacek. 2015. ‘So cursed and shrewd' a play. Review of: The Taming of the Shrew [Poskromienie złośnicy]. Dir. Katarzyna Deszcz. Stefan Żeromski Theatre, Kielce. Multicultural Shakespeare 12(27): 160-165.
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Fabiszak_Jacek. 2012. “Theatre, television, Shakespeare? On (counter-)representation of stage performances of Shakespeare’s plays on television – the c.” In: Cieślak, Magdalena; Rasmus, Agnieszka (eds.)  Against and Beyond: Subversion and Transgression in Mass Media, Popular Culture and Performance. Newcastle upon Tyne: Cambridge Scholars Publishing, 102-113.
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Fabiszak_Jacek. 2011. “To Cut or Not to Cut? What's in the Written Text of Filmed Hamlets.” In: Hatchuel, S.; Vienne-Guerrin, N. (eds.)   /Shakespeare on screen/ Hamlet. Rouen / Havre: Publications des Universites de Rouen et du Havre, 81-96.
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Fabiszak_Jacek, Klepuszewski W. 2010. The Literariness and Linguistics of LOVE. Koszalin: Wydawnictwo Uczelniane Politechniki Koszalińskiej. Pp. 185.
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Fabiszak_Jacek. 2008. “The gender of the Vice: from the Medieval she-Vice to the Renaissance she-villain in Shakespeare's Macbeth.” In: Sikorska, Liliana (ed.)  Medievalisms. The Poetics of Literary Re-readings. Frankfurt am Main: Peter Lang, 55-76.
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Fabiszak_Jacek. 2007. “The homoerotic in two screen versions of Marlowe's {Edward II}.” In: Kazik, Joanna (ed.)  Studies in English Drama and Poetry. Vol. 1: Reading English Drama and Poetry. Łódź: Wydawnictwo Uniwersytetu Łódzkiego, 113-124.
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Fabiszak_Jacek. 2004. “The uses of classical imagery in Christopher Marlowe's Edward II.” In: Sikorska, L. (ed.)  Aspects of suffering: Classical themes in English literature. Frankfurt am Main - New York: Peter Lang, 63-86.
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Fabiszak_Jacek. 1995. The (inter-)theatricality of Marlovian prologues. Studia Anglica Posnaniensia 29: 189-197.
URL: http://ifa.amu.edu.pl/sap/files/29/15Fabiszak.pdf
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Fabiszak_Jacek J. 2012. “Wajda’s Hamlet IV: a compromise, a confrontation or a concept for a new theatre?.” In: Limon, Jerzy; Grzegorzewska, Małgorzata; Fabiszak_Jacek  Shakesplorations. Essays in Honour of Professor Marta Gibińska. Gdańsk: Wydawnictwo Uniwersytetu Gdańskiego, 122-130.
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Fabiszak_Jacek. 2012. “Wajda's Hamlet IV: a compromise, a confrontation or a concept for a new theatre?.” In: Limon, Jerzy; Grzegorzewska, Małgorzata; Fabiszak, Jacek (eds.)  Shakesplorations. Essays in Honour of Professor Marta Gibińska. Gdańsk: Wydawnictwo Uniwersytetu Gdańskiego, 122-130.
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Fabiszak_Jacek. 2004. “{Henryk V}: o monarszej (nie)odpowiedzialności.” In: Fabiszak_J.; Gibińska, M.; Nawrocka, E. (eds.)  Czytanie Szekspira. Gdańsk: słowo/obraz terytoria, 329-344.
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Fabiszak_Jacek. 2004. “{Cymbeline}, Król Brytanii, albo emocje odkryć.” In: Fabiszak_J.; Gibińska, M.; Nawrocka, E. (eds.)  Czytanie Szekspira. Gdańsk: słowo / obraz terytoria, 226-240.
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Fabiszak_Jacek. 2001. “{Hamlet}'s 'mousetrap' on screen: The versions of Olivier (1948), Zeffirelli (1990) and Branagh (1996).” In: Bystydzieńska, G. (ed.)  Approaches to Literature. Warsaw: Department of English, University of Warsaw, 25-37.
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Fabiszak_Jacek. 2008. “‘Writing’ Shakespeare on Polish Television.” In: Pavel Drábek; Klára Koliská; Matthew Nicholas (eds.)  Shakespeares and His Collaborators over the Centuries. Newcastle: Cambridge Scholars Publishing, 221-232.
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