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Buchowska D. 2016. “Jewish themes in David Bomberg's early works.” In: Malinowski, Jerzy; Stolarska-Fronia, Malgorzata (eds.)  Art in Jewish Society. Warszawa: Museum of the History of Polish Jews, 95–100.
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Buchowska D. 2016. Jewish Art in London. Review of: Out of Chaos, Ben Uri: 100 Years in London, (2 Jul-13 Dec 2015), Somerset House, London. Art in Jewish Society 309–313.
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Buchowska D. 2015. BLAST 2014. Conference at Bath Spa University. Review of: BLAST 2014. LewisLetter. News from the Wyndham Lewis Society 8-10.
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Buchowska D. 2015. “Whitechapel Boys and the British Avant-Garde: in Search of the Polish Connection.” In: Geron, Malgorzata; Malinowski, Jerzy; Sienkiewicz, Jan Wiktor (eds.)  Art of the United Kingdom of Great Britain and Northern Ireland & the Republic of Ireland in 20th-21st Centuries and Polish-British & Irish Art Relations. Toruń: Wydawnictwo Naukowe UMK, 51-60.
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Buchowska D. 2015. "A Sense of Form": The Art of David Bomberg. Warszawa-Toruń: Polski Instytut Studiów Nad Sztuką Świata, Wydawnictwo Tako. Pp. 320.
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Buchowska D. 2015. Compendium of Plant Disease Symptoms and Morphology of Disease Agents. Poznań: Wydawnictwo Naukowe Bogucki. Pp. 236.
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Buchowska D. 2014. “Aesthetics of the Marionette in Modernist British and Central European Art. Selected Examples.” In: Zoran M. Jovanović (ed.)  International Thematic Proceedings: Art and its Role in the History: Between Durability and Transient -isms, Dedicated to the Me. Kosovska Mitrovica: Filosofski Fakultet, 67-80.
URL: https://drive.google.com/a/pr.ac.rs/file/d/0BzVmKuYYMVVqdTg1NHVzOEtKQTQ/view
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Buchowska D. 2014. Episodic Structures in Modernist Cultures: the Case of Joseph Conrad and T.E. Hulme. Polish-AngloSaxon Studies 17: 71-81.
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Buchowska D. 2013. “Lewis in Rome. Cubismo/Cubist.” In: Alan Munton (ed.)  Lewisletter. News from the Wyndham Lewis Society 30. Exeter: University of Exeter, 14-15.
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Buchowska D. 2013. Review of: Lewis in Rome. Cubisti/ Cubismo. Lewisletter: News from the Wyndham Lewis Society 30: 14-15.
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Buchowska D. 2013. Futurism and Vorticism: Bruno Jasieński, Wyndham Lewis and Their Manifestos. Polish-AngloSaxon Studies 16: 57-86.
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Buchowska D. 2012. “Bloomsbury Group Go to Poland.” In: Mark Hussey (ed.)  Woolf Studies Annual 18. New York: Pace University Press, 206-211.
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Buchowska D. 2012. “Verbal and Visual Correspondences in Wyhdham Lewis’s The Tyro.” In: Buchholtz, M.; Konieczniak, G. (eds.)  The Visual and the Verbal in Film, Drama, Literature and Biography. Frankfurt am Main: Peter Lang Verlag, 135-150.
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Buchowska D, Wright LS. 2012. “"Futurism: A Pestilence that Needs Purging": Anti-Modernist Prejudices in Great Britain, 1910-1922.” In: Gunter, Berghaus (ed.)  International Yearbook of Futurism Studies. Berlin / New York: Walter de Gruyter, 202-226.
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Buchowska D. 2012. “Committed Autonomy? The Case of David Bomberg's Sappers at Work.” In: Ganteau Jean Michel; Reynier Christine (eds.)  Autonomy and Commitment in Twentieth-Century British Arts. Montpellier: Presses Universitaires de la Méditerranée, 39-48.
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Buchowska D. 2011. “Vorticism Denied: Wyndham Lewis and the English Cubists.” In: Gasiorek, A. (ed.)  Wyndham Lewis and the Cultures of Modernity. PLACE PUBLISHED: Ashgate Publishing, 37-55.
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Buchowska D. 2011. “Reshaping post-colonial identity, challenging caricatures: The art of Chris Ofili .” In: Sikorska, Liliana (ed.)  Studies in Literature in English. Empty treasure chests dumped from departed ships: Re-mapping (post)colonialism in Art and Literature in English. Frankfurt am Main: Peter Lang Verlag, 53-65.
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Buchowska D. 2011. “Teaching Art in Post-War Britain. The case of the Borough Group 1945-1953.” In: Lipoński, Wojciech;Kaźmierczak, Janusz (eds.)   Polish-AngloSaxon Studies. Poznań: Wydawnictwo Naukowe UAM, 107-130.
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Buchowska D. 2011. “English Rebels in Art Circles: The New Age in its elitist and populist dimension.” In: Sascha, Bru (ed.)  European Avant-Garde and Modernism Studies, Volume 2: The Great Divide? High & Low Culture in the Avant-Garde and Modernism. Berlin/New York: Walter de Gruyter, 44-56.
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Buchowska D. 2011. Damage caused by game animals and other mammal or bird species in agricultural crops and woodlands: ethological aspect, prevention possibilities. Poznań: Institute of Plant Protection National Research Institute. Pp. 72.
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Buchowska D. 2010. “Revistele futurişilor: Tentative de remodelare a identităţii naţionale în Polonia anilor 1920.” In: Vlasiu. I.; Cărăbaş, I. (eds.)   Studii şi Cercetări de Istoria Artei. Bucureşti: Editura Academiei Romane, 65-73.
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Buchowska D. 2010. “Around the galleries: art exhibitions in London in 1914 through the eyes of the critics.” In: Walsh, M.J.K. (ed.)  London, Modernism, and 1914. Cambridge: Cambridge University Press, 214-239.
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Buchowska D. 2009. “Magazines of the Futurists: Attempts to Reshape National Identity in Poland in the 1920s.” In: Peter, Brooker; Christian, Weikop (eds.)  Modernism, Cultural Exchange and Transnationality.Second Conference of the AHRC Modernist Magazines Project. Conference Book of Abstract. Brighton: University of Sussex Press, 55.
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Buchowska D. 2008. “The Challenge of the Antipodeans: anti-abstraction in Australian art.” In: Stankomir Nicieja and Ryszard W. Wolny (eds.)  Australia: Identity, Memory, Destiny. Opole: Wydawnictwo Uniwersytetu Opolskiego, 51-60.
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Buchowska D. 2008. “Lewis vs. Bomberg: Vorticism Denied. Wyndham Lewis.” In:   Modernity and Critique. Conference Book of Abstracts. Birmingham: University of Birmingham, 2.
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Buchowska D. 2007. “Redefining Vorticism: To what extent Exhibitions May Challenge Canons in Art.” In: Wojciech Kalaga, Marzena Kubisz and Jacek Mydła (eds.)  PASE Papers 2007 Vol. 2: Studies in culture and literature. Katowice: Wydawnictwo Uniwerstytetu Śląskiego, 29-41.
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Buchowska D. 2007. Modernist artist in a modern city: David Bomberg and the London avant-garde. Polish-AngloSaxon Studies 12-13: 35-55.
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Ruszkowska-Buchowska D. 2008. “Designer elements in the art of David Bomberg: towards pure form and abstraction.” In: Cieślak, M.; Rasmus. A. (eds.)  PASE Studies in Literature and Culture. Łódź: Wydawnictwo Uniwersytetu Łódzkiego, 343-352.
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Ruszkowska-Buchowska D. 2004. Cubist aesthetics in Stevens' 'The Man with the Blue Guitar': Defence against Surrealism. Studia Anglica Posnaniensia 40: 333-349.
URL: http://ifa.amu.edu.pl/sap/files/40/22Ruszkowska-Buchowska.pdf
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