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Bartnik R. 2016. "Polish identity revisited: Joanna Czechowska's The Black Madonna of Derby and Sweetest Enemy as the literary narratives of a 'paradigmatic nation-ness'". Polish-AngloSaxon Studies 19: 69-86.
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Bartnik R. 2006. “"Look back in anger": Postcolonial (re)reading of adventure novels: R. M. Ballantyne's The coral island and R. L. Stevenson's Treasure island.” In: Dziubalska-Kołaczyk, K. (ed.)  IFAtuation: A Life in IFA. A Festschrift for Professor Jacek Fisiak on the Occasion of His 70th Birthday. Poznań: Wydawnictwo Naukowe UAM, 61-69.
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Bartnik R, Warmuz A. (eds.) 2007. An Outline History of English Literature in Texts. Edwardian Period – Literature 1910-1945 – Post-War Literature – Contemporary Literature. Poznań: Wydawnictwo Poznańskie. Pp. 392.
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Bartnik R. 2002. “Angela Carter's use of the Lacanian 'Mirror Image' as a depiction of an illusory identity.” In: Witalisz, W.; Leese, P. (eds.)  Proceedings of the Tenth Annual Conference of the Polish Association for the Study of English, Kraków April 2001. Kraków: Uniwersytet Jagielloński, 263-269.
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Bartnik R. 2003. Crossing the boundaries of the rational in search of female identity. Linguae Mundi 1: 27-45.
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Bartnik R. 2015. Echa 'dawnych' podziałów w kontekście demokratycznych przemian w Irlandii Północnej i Republice Południowej Afryki. Analiza porównawcza na podstawie powieści Lucy Caldwell i Zoë Wicomb. Przestrzenie Teorii 24: 171-192.
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Bartnik R. 2015. “From unrest to (dis)integration. A literary perspective on the problematic reconciliation in post-apartheid South Africa and post-Troubles Northern Ireland.” In: Tadej Pirc (ed.)  Conflict and Transformation. Ljubliana: A priori, 125-138.
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Bartnik R. 2014. “Frozen thoughts on (post-)apartheid transgressions as conducive to producing new 'unsolicited' sprouts of contriteness. Tony Eprile in line with John Maxwell Coetzee on the importance of memory in democratic South Africa.” In: Kucała, Bożena; Kusek, Robert (eds.)  Travelling texts: J. M. Coetzee and other writers. Frankfurt am Main: Peter Lang Verlag, 283-294.
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Bartnik R. 2012. Factual/Fictional Eye-Witnessing of the Political Transition in South Africa – Mike Nicol’s A South African Witness. Werkwinkel. Journal of Low Countries and South African Studies 7(1): 117-129.
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Bartnik R. 2007. “Human decency questioned. Conradian legacy mirrored in twentieth-century English literature.” In: Wąsik, Z.; Ciuk, A. (eds.)  For the Love of the Embedded Word in Society, Culture and Education (Philologica Wratislaviensia: Acta et Studia No 1. Wyższa Szkoła Filologiczna we Wrocławiu). Wrocław: Wydawnictwo Uniwersytetu Wrocławskiego, 111-119.
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Bartnik R. 2011. Living in the face of menacing unreason Martin Amiss The Second Plane as a response to ideological fundamentalisms. Studia Anglica Posnaniensia 46(3): 93-101.
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Bartnik R. 2014. On South African violence through Giorgio Agamben's biopolitical framework: A comparative study of J.M. Coetzee's Disgrace and Z. Mda's Ways of dying. Studia Anglica Posnaniensia: An International Review of English Studies 49(4): 21-36.
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Bartnik R. 2008. Peter Ackroyd's London as the backdrop to esoteric corners of the past and present. Studia Anglica Posnaniensia 44: 489-499.
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Bartnik R. 2010. Siegfried Huigen: Knowledge and Colonialism: Eighteenth-Century Travelers in South Africa. Werkwinkel. Journal of Low Countries and South African Studies 5(1): 111-119.
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Bartnik R. 2006. “The politics of engagement in J. M. Coetzee's Foe and {In the heart of the country}.” In: Sikorska, L. (ed.)  A universe of (Hi)Stories. Essays on J.M. Coetzee. Frankfurt am Main: Peter Lang, 45-59.
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Bartnik R. 2005. “The comic and the tragic in the drama of Irish belonging in Frank McCourt's and Dermot Healy's autobiographies.” In: Sikorska, L. (ed.)  Ironies of art/tragedies of life. Essays on Irish literature. Frankfurt am Main: Peter Lang, 153-176.
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Bartnik R. 2004. “Tropes of the classical 'passage through hell' in the works of twentieth century writers.” In: Sikorska, L. (ed.)  Aspects of suffering: Classical themes in English literature. Frankfurt am Main - New York: Peter Lang, 215-234.
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Bartnik R. 2005. Writing allegory in the twentieth century. William Golding's {Rites of passage} as a moral quest. Kwartalnik Neofilologiczny 143-150.
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Bartnik R. 2009. [Un]successful “metabolization” of the Northern Irish war: The post-Troubles trauma in Glenn Patterson’s writing. Studia Anglica Posnaniensia 45: 145-155.
URL: http://versita.metapress.com/content/789j4372361067v2/fulltext.pdf
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Bartnik R. 2009. “[Im]possibility of escape – traumatic residues of the past in the post-Troubles Northern Irish novel.” In: Sikorska, L. (ed.)  Studies in Literature in English. Frankfurt am Main: Peter Lang Verlag, 101-111.
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Bartnik R. 2012. “‘No bones’ on the road to recovery. Anna Burns’ socio-psychological study of the Northern Irish predicament.” In: Lelourec, Lesley; O'Keeffe-Vigneron, Grainne (eds.)  Ireland and Victims: Confronting the Past, Forging the Future. Frankfurt am Main: Peter Lang Verlag, 159-175.
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