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Ambroży P. 2015. “Dead end or a change of direction?: One hundred years of imagism.” In: Semrau, Janusz; Wiczyński, Marek (eds.)  Image in Modern(ist) Verse. Frankfurt am Main: Peter Lang, 71-98.
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Ambroży P. 2015. The Limits of Language as the Limits of the World: Cormac McCarthy’s and David Markson’s Post-Apocalyptic Novels. Text Matters: A Journal of Literature, Theory and Culture 5: 62-78.
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Ambroży P. 2015. Review of: Kosc, Grzegorz. 2015. Robert Frost's Political Body, Rochester: Camden House. Studia Anglica Posnaniensia 50: 95-99.
URL: http://www.degruyter.com/view/j/stap.2015.50.issue-1/stap-2015-0019/stap-2015-0019.xml
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Ambroży P. 2015. Wading through black jade in Marianne Moore’s sunken cathedral: The modernist sea poem as a Deleuzian fold. Studia Anglica Posnaniensia 50(4): 79-97.
URL: http://www.degruyter.com/view/j/stap.2015.50.issue-4/stap-2015-0034/stap-2015-0034.xml?format=INT
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Ambroży P. 2014. ““Resistance Is the Opposite of Escape”: Still Life as Sustenance in the Poems of Wallace Stevens and Gertrude Stein.” In: Kociatkiewicz, Justyna; Suchostawska, Laura; Ferens, Dominika (eds.)  Eating America: Crisis, Sustenance, Sustainability. Frankfurt am Main: Peter Lang, 203-213.
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Ambroży P. 2013. “"Alma Entre dos Mundos": Space in the poetry of Lorna Dee Cervantes.” In: Rozalska, Aleksandra M.; Zygadło, Grażyna (EDS.)  Narrating Gender and Ethnicity. Cambridge: Cambridge Scholars Publishing, 129-143.
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Ambroży P. 2012. “On the unconcealedness of the sketch in ‘The prophetic pictures.” In: Semrau, Janusz (ed.)  New essays on the short stories of Nathaniel Hawthorne. Frankfurt am Main: Peter Lang Verlag, 37-56.
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Ambroży P. 2012. (Un)concealing the hedgehog: Modernist and postmodernist American poetry and contemporary critical theories. Poznań: Wydawnictwo Naukowe UAM. Pp. 387.
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Ambroży-Lis P. 2011. “"It is this brokenness that interests me": The aesthetics and politics of fragment in Susan Howe's historical poetry.” In: Basiuk, T.; Kuźma-Markowska, S.; Mazur, K. (eds.)  The American Uses of History: Essays on Public Memory. Frankfurt am Main: Peter Lang Verlag, 199-208.
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Ambroży P. 2011. “"Eurydyka powinna wystarczyć": o feministycznych rewizjach mitów w poezji H. D. [Eurydice should be enough: On the feminist revisions of myths in the poetry of H.D.].” In: Aleksandrowicz-Pędich, L.; Kamionowski, J. (eds.)  O amerykańskiej poezji kobiecej. Białystok: Trans Humana Wydawnictwo Uniwersyteckie, 13-54.
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Ambroży-Lis P. 2010. “"Copied but with a Difference" - On the Nature of Ekphrasis in W.C. Williams' {Pictures from Brueghel}.” In: Zapędowska, M.; Stachura, P. (eds.)  The Natural and the Artifical: Construction of American Identities, Landscapes, Institutions, and Histories. Poznań: Wydawnictwo Naukowe UAM, 201-210.
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Ambroży-Lis P. 2010. “Sluggish Movements and Solid Illusions of the Modern Road Poem: William Carlos Williams' "Spring and All" and Rosmarie Waldrop's "The Road is Everywhere or Stop This Body".” In: Moroz, G. (ed.)  Metamorphoses of Travel Literature; Through Literary Traditions, Centuries, Genres and Theories. Newcastle Upon Tyne: Cambridge Scholars Publishing, 39-48.
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Ambroży-Lis P. 2010. Review of: Intertextual Transactions in American and Irish Fictions. By Andrzej Kopcewicz (edited by Janusz Semrau). Studia Anglica Posnaniensia 46(1): 110-115.
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Ambroży-Lis P. 2009. “Your Thorns Are the Best Part of You: The Female Poet and the Question of Non-conformity in the Poetry of Marianne Moore and Gertrude Stein (revised version).” In: Semrau, J. (ed.)  American Literature in Studia Anglica Posnaniensa 1986-2008. A Selection of Articles. Poznań: Wydawnictwo Naukowe UAM, 251-282.
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Ambroży-Lis P. 2009. “Edna St. Vincent Millay and Marianne Moore: Two Types of Feminine Masquerade.” In: Chylińska, B. (ed.)  Ideology and Rhetoric: Constructing America. Newcastle Upon Tyne: Cambridge Scholars Publishing, 3-17.
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Ambroży-Lis P. 2009. “To love is to relinquish what one would like to keep – Weird fish and the Poetics of Bliss in Printed and Digital Poetry.” In: Verena, Lashinger; Ralph J., Poole (eds.)  E-motion: Sentiment and Technology. Istanbul: Fatih University Press, 101-118.
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Ambroży-Lis P. 2008. A Rose for Eurydice: The Nocturne and Melancholia in William Faulkner’s ‘Pantaloon in Black’ and ‘A Rose for Emily’. Polish Journal for American Studies 2: 73-82.
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Ambroży-Lis P. 2008. “Demon w okowach słodkiego porządku - O poezji miłosnej Edny St. Vincent Millay.” In: Aleksandrowicz-Pędich, L.; Kamionowski, J. (eds.)  O amerykańskiej poezji kobiecej. Białystok: Trans Humana Wydawnictwo Uniwersyteckie, 11-31.
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Ambroży-Lis P. 2008. Your Thorns Are the Best Part of You: The Female Poet and the Question of Non-conformity in the Poetry of Marianne Moore and Gertrude Stein. Studia Anglica Posnaniensia 44: 509-530.
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Ambroży-Lis P. 2007. “When a Sycamore Becomes an Albino Giraffe - On the Tension Between the Natural and the Artificial in Marianne Moore's 'The Sycamore'.” In: Jadwiga Maszewska; Zbigniew Maszewski (eds.)  Walking on a Trail of Words: Essays in Honor of Professor Agnieszka Salska. Łódź: Wydawnictwo Uniwersytetu Łódzkiego, 165-175.
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Ambroży-Lis P. 2007. “"A Contrapuntalist - Composer of Chorales" - Marianne Moore's Dialogical Imagination.” In: Gutorow, J.; Lebiecki, T.  Conformity and Resistance in America. Cambridge: Cambridge Scholars Press, 74-87.
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Ambroży-Lis P. 2007. Operacja na otwartym sercu, czyli poezja Mary Jo Bang. Podteksty 7: Online, 17 ms pages.
URL: http://www.podteksty.pl/index.php?action=dynamic&nr=8&dzial=4&id=167
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Ambroży P. 2006. “"Nature is a stranger yet": Nature and man in the poetry of Wallace Stevens and Emily Dickinson.” In: Dziubalska-Kołaczyk, K. (ed.)  IFAtuation: A Life in IFA. A Festschrift for Professor Jacek Fisiak on the Occasion of His 70th Birthday. Poznań: Wydawnictwo Naukowe UAM, 43-59.
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Ambroży P. 2003. {The black bird} of Edgar Allan Poe and Wallace Stevens' {Thirteen blackbirds}. Studia Anglica Posnaniensia 39: 279-288.
URL: http://ifa.amu.edu.pl/sap/files/39/15Ambrozy.pdf
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Ambroży P. 2001. Description without place? New England in the poetry of Wallace Stevens. British and American Studies 3: 113-126.
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Ambroży P. 2000. Barth's {The sot-weed factor} - a case of hypertextuality. Studia Anglica Posnaniensia 35: 293-307.
URL: http://ifa.amu.edu.pl/sap/files/35/17ambrozy.pdf
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Ambroży-Lis P. “Sluggish Movements and Solid Illusions of the Modern Road Poem: William Carlos Williams’ “Spring and All” and Rosmarie Waldrop’s “The Road is Everywhere or Stop This Body.” In: Moroz, G. (ed.)  Metamorphoses of Travel Literature; Through Literary Traditions, Centuries, Genres and Theories. Newcastle Upon Tyne: Cambridge Scholars Publishing, PAGES.
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